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Godzilla (2. 01. 4 film) - Wikipedia. Godzilla is a 2. 01. American monster film directed by Gareth Edwards and a reboot[5] of Toho's Godzilla franchise. It is the 3. 0th film in the Godzilla franchise, the first film in Legendary's Monster. Verse, and the second Godzilla film to be completely produced by a Hollywood studio, the first being the 1.

Note 1] It stars Aaron Taylor- Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, and Bryan Cranston. The film is a co- production between Legendary Pictures and Warner Bros. Pictures, with the latter also distributing the film worldwide, except in Japan where it was distributed by Toho. The project initially began in 2. IMAX short film but was later transferred to Legendary for development as a feature film.

Principal photography took place in the United States and Canada in 2. Godzilla was released worldwide in 2. D, 3. D and IMAX on May 1. The film's success prompted Toho to produce a reboot of its own and Legendary to proceed with sequels and a shared cinematic franchise, with Godzilla: King of the Monsters set to be released in 2. Godzilla vs. Kong to be released in 2. In 1. 95. 4, Godzilla, an ancient alpha predator, is lured to an island in an attempt to kill it with a nuclear bomb. In 1. 99. 9, Monarch scientists Ishiro Serizawa and Vivienne Graham investigate a colossal skeleton underground that was unearthed by a collapsed mine in the Philippines.

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They find two giant spores in the cave; one dormant and one hatched with a trail that leads out of the cave to the sea. In Japan, the Janjira Nuclear Power Plant experiences unusual seismic activity; Supervisor Joe Brody sends his wife Sandra with a team of other technicians into the reactor.

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A tremor breaches the reactor, leaving Sandra and her team unable to escape while the plant collapses. Fifteen years later in 2. Joe's son Ford, a U. S. Navyexplosive ordnance disposal officer, returns from a tour of duty to his wife Elle and young son Sam in San Francisco but has to immediately depart for Japan after Joe is detained for trespassing in the Janjira quarantine zone. Joe is determined to find out the cause of the Janjira meltdown, and he persuades Ford to accompany him to their old home in the quarantine zone to retrieve vital data while discovering that the zone is not contaminated by radiation. They successfully retrieve the data but are discovered by soldiers and taken to a secret facility in the power plant's ruins.

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After several power failures, a giant winged creature emerges and escapes, destroying the facility. Joe is severely wounded and dies as he and Ford are taken by helicopter to the U. S. S. Saratoga. The incident is reported around the world as an earthquake. Serizawa, Graham, and Ford join a U. S. Navy task force led by Admiral William Stenz to search for the creature, called a "MUTO" (Massive Unidentified Terrestrial Organism). Serizawa and Graham reveal to Ford that a 1.

Godzilla and nuclear tests in the 1. Project Monarch was established to secretly study Godzilla and other similar creatures such as the MUTO, which travelled from the Philippine mine to Janjira and caused the meltdown, and how they are connected with each other. Ford reveals that Joe had monitored echolocation signals that indicated the MUTO was communicating with something. The MUTO attacks a Russian submarine and drops it on land in Hawaii to eat the sub's nuclear material. Godzilla arrives, causing a tsunami in Honolulu and briefly engages the MUTO in battle, until it flees.

Monsters vs. Aliens is a 2009 American 3D computer-animated science fiction. The Monsters, except Susan and. "I suppose kids will like this movie", though he. Get the magazine and exclusive online content. themselves into human-killing monsters for. what pushes viewers to continue to watch.

Meanwhile, a second, larger, wingless MUTO emerges from the other spore in Nevada and devastates Las Vegas. The scientists deduce that the second MUTO is female, the female was the one the male was communicating with, and that the two MUTOs will meet to breed in San Francisco. As Godzilla is hunting them, they will lure him there. Over the scientists' objections concerning the monsters' radioactive nature, Stenz approves a plan to use nuclear warheads to lure the monsters to the open ocean and destroy them, with more power in the warheads than the power in the bomb used on Godzilla in 1.

Ford returns to the U. S. and ends up joining the team delivering the warheads by train, but the female MUTO intercepts the train and devours most of the warheads. The single remaining warhead is airlifted with Ford to San Francisco and is activated after a confrontation between the military and Godzilla at the Golden Gate Bridge, but the male MUTO steals it and takes it to the female, who forms a nest around it in the Chinatown area. While Godzilla and the MUTOs battle, a strike team, including Ford, enters the city via HALO jump to find and disarm the warhead. Unable to access the timer, the rest of the team sets the warhead on a boat for disposal at sea. The MUTOs are eventually able to get the upper hand, but Ford blows up the MUTO nest, ultimately distracting the MUTOs enough to allow Godzilla to emerge victorious in the end, killing the male MUTO by slamming him with his tail into the side of an office building and the female by firing his atomic breath down her throat, beheading her. Godzilla then collapses from exhaustion on the city shore.

With the rest of the team wiped out, Ford uses the last of his energy to get the boat with the warhead out to sea. He is rescued before the warhead explodes and reunites with his family at the Oakland Coliseumemergency shelter the following morning. Godzilla awakens, rising from the destroyed San Francisco, and with a final, victorious roar returns to sea while the media hails Godzilla as "King of the Monsters - savior of our city?". The son of Joe and Sandra Brody. After the nuclear plant's collapse, he grows up in the United States and becomes a Lieutenant in the United States Navy as an explosive ordnance disposal technician.[7][8][9][1. When Taylor- Johnson first met with Edwards, they talked for six hours about the archetype of the character.

Taylor- Johnson stated that Edwards brought a level of "intimacy" to the film and praised him for treating it like a "big budget art film".[1. He stated, "I think he went for the right balance of sensitivity and testosterone. I've probably been more emotionally challenged in this film than in any independent drama or thriller". Taylor- Johnson went through training to achieve military etiquette,[1. The role of Ford was reportedly offered to Joseph Gordon- Levitt in 2.

By 2. 01. 3, Henry Cavill, Scoot Mc. Nairy, and Caleb Landry Jones comprised the shortlist for the role before Legendary took interest in Taylor- Johnson.[1. CJ Adams[1. 6] portrays Brody as a young boy. The lead scientist for Project Monarch.[9][1. Watanabe was initially skeptical about a new Hollywood Godzilla film but changed his mind after a meeting with Edwards, stating, "If you are telling the Godzilla story, you cannot separate it from the nuclear element, and the first thing I asked was whether there was going to be the nuclear element, as that now, in Japan, is a really sensitive problem. I was worried about how I could use that and how I could make that okay, but Gareth understood those feelings."[1. Watanabe's character is named after the director of various Godzilla films, Ishiro Honda, and after the scientist who killed Godzilla in the 1.

Dr. Daisuke Serizawa. A nurse at San Francisco General Hospital. She is married to Ford Brody and is the mother of Sam Brody.[8] Olsen agreed to join the film after being impressed with Edwards' previous film, Monsters and Edwards' enthusiasm for the film and Godzilla's history.[1.

A nuclear regulations consultant at the Janjira nuclear plant. She is married to Joe Brody and is the mother of Ford Brody.[9] Binoche agreed to join the film after reading a "beautiful" letter from Edwards[2. Godzilla,[2. 1][2. Edwards has stated that her character's death scene is what convinced her (and Cranston) to join the film.[2.

Inside Out (2. 01. Wikipedia. Inside Out is a 2. American 3. Dcomputer- animatedcomedy- drama film produced by Pixar Animation Studios and released by Walt Disney Pictures. The film was directed by Pete Docter and co- directed by Ronnie del Carmen, with a screenplay written by Docter, Meg Le. Fauve and Josh Cooley, adapted from a story by Docter and del Carmen. The film is set in the mind of a young girl named Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Bill Hader) and Disgust (Mindy Kaling)—try to lead her through life as her parents (Diane Lane and Kyle Mac.

Lachlan) move from Minnesota to San Francisco, and she has to adjust to her new surroundings. Docter first began developing Inside Out in 2. The film's producers consulted numerous psychologists including Dacher Keltner from the University of California, Berkeley,[6] who helped revise the story by emphasizing the neuropsychological findings that human emotions affect interpersonal relationships and can be significantly moderated by them.[7]After premiering at the 6. Cannes Film Festival on May 1. Inside Out was released in North America on June 1.

Lava. Critics praised the film's concept, screenplay, subject matter, Michael Giacchino's musical score, and the vocal performances, particularly of Poehler, Smith, and Richard Kind.[8][9] The film grossed $9. It accumulated over $8.

The film received several awards, including a BAFTA Award, Golden Globe Award, Critics' Choice Award, Annie Award, Satellite Award, and Academy Award for Best Animated Feature. Contents. Riley Andersen is born in Minnesota and within her mind, five personifications of her basic emotions—Joy, Sadness, Fear, Disgust, and Anger—gradually come to life and influence her actions via a console in her mind's Headquarters. As she grows up, her experiences become memories, stored in colored orbs, which are sent into long- term memory each night.

Her five most important "core memories" (all of which are happy ones) are housed in a hub that each power an aspect of her personality which take the form of floating islands. In Headquarters, Joy acts as a de facto leader to maintain Riley's cheerful childhood, but since she and the other emotions do not understand Sadness' purpose, she frequently tries to keep Sadness away from the console. At the age of 1. 1, Riley and her parents move to San Francisco for her father's new business. Riley has poor first experiences: the new house is cramped and old, the moving van with all their belongings is misdirected, her father is under stress from his business, and a poor encounter at a pizza restaurant leaves her disheartened.

When Sadness begins touching Riley's happy memories, turning them sad, Joy tries to guard them by isolating her. On Riley's first day at her new school, Sadness accidentally causes Riley to cry in front of her class, creating a sad core memory.

Joy, panicking, tries to dispose of it, but accidentally knocks the other core memories loose during a struggle with Sadness, deactivating the personality islands. Joy, Sadness, and the core memories are sucked out of Headquarters, and taken to the maze- like storage area of long- term memory. The other emotions, Anger, Fear, and Disgust try to maintain Riley's happiness in Joy's absence with disastrous results, distancing her from her parents, friends, and hobbies. As a result, her personality islands gradually begin to crumble and fall, one by one, into the "Memory Dump", an abyss where memories are forgotten.

In desperation, Anger inserts an idea into the console prompting Riley to run away, believing that her return to Minnesota will enable her to make new happy core memories. Joy and Sadness encounter Bing Bong, Riley's childhood imaginary friend, who suggests riding the train of thought back to Headquarters. The three eventually catch the train, but it is halted when Riley falls asleep. They succeed in manipulating Riley's dreams to wake her and restart the train, but it is derailed when the "Honesty Island" collapses (when Riley steals her mother's credit card and begins to run away). In desperation, Joy tries to ride a "recall tube" back to Headquarters, but abandons Sadness since close proximity to Sadness will cause the core memories to turn sad, which Joy believes will hurt Riley. But as she takes off, the ground below the tube collapses, breaking the tube and plunging Joy and Bing Bong into the Memory Dump.

At the bottom, Joy then begins to lose hope and breaks into tears and cries, but discovers a sad memory of a ice hockey game that became happy when Riley's parents and friends comforted her. Joy realizes that Sadness serves an important purpose: to create empathy in others when Riley is emotionally overwhelmed and needs help. Joy and Bing Bong try to use Bing Bong's old wagon rocket to escape the Memory Dump, but after several tries, Bing Bong realizes their combined weight is too much and jumps out, sacrificing himself to allow Joy to escape. Joy reunites with a despondent Sadness and manages to get them to Headquarters, only to discover that Anger's idea has disabled the console, rendering Riley apathetic. To the surprise of the others, Joy hands control of the console to Sadness, who is able to successfully extract the idea, reactivating the console and prompting Riley to return home.

As Sadness reinstalls the core memories, turning them sad, Riley arrives home to her parents and breaks down crying, confessing that she misses Minnesota. As her parents comfort her, they tell her that they also miss Minnesota and Joy and Sadness work the console together, creating a new core memory that combines their emotions; a new island forms representing Riley's acceptance of her new life in San Francisco. In the end, a year later at the age of 1. Riley has adapted to her new home, made new friends, returned to her old hobbies, and adopted a few new ones (fueled by new, more nuanced core memories from combinations of her emotions). Inside Headquarters, her emotions all work together on a new expanded console with room for them all, allowing Riley to lead a more emotionally complex life.

Voice cast. Edit. The film's crew, along with the English, and French voice actors, attended the film's premiere at the 2. Cannes Film Festival (from left): Lewis Black, Phyllis Smith, Mindy Kaling, Amy Poehler, Jonas Rivera, Marilou Berry, Pete Docter, Ronnie del Carmen, Mélanie Laurent, John Lasseter, Charlotte Le Bon, Pierre Niney, and Gilles Lellouche. Several of the filmmakers also contributed some voice acting, including director Pete Docter as Father's Anger,[1. Ronnie del Carmen as one of the abstract thought mind workers.[1.

Production. Edit. Development. Edit. As a child, director Pete Docter relocated with his family to Denmark when his father moved to study the music of Carl Nielsen.[1. While his sisters had an easy time adjusting to the new surroundings, Docter felt he was judged constantly by peers.[1. While other kids were interested in sports, Docter sat alone drawing, a hobby that eventually led him to animation.[1.

His social anxiety ended by high school.[1. In late 2. 00. 9, Docter noticed his pre- teen daughter, Elie, exhibiting similar shyness.[2.

She started getting more quiet and reserved, and that, frankly, triggered a lot of my own insecurities and fears," he said.[1. He imagined what happens in the human mind when emotions set in. The idea to depict it through animation excited Docter, who felt it the ideal form to portray "strong, opinionated, caricatured personalities."[2. He began researching information about the mind, alongside Jonas Rivera, a producer, and Ronnie del Carmen, a secondary director. They consulted Paul Ekman, a well- known psychologist who studies emotions, and Dacher Keltner, a professor of psychology at the University of California, Berkeley. Ekman had early in his career identified six core emotions—anger, fear, sadness, disgust, joy, and surprise.